கமல் ரஜினி பாரதிராஜாவை கலைத்த பாக்யராஜ்|K.Bhagyaraj Fun Speech on Rajini,kamal,Barathiraja|nba 24x7

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  1. Udhaya Kumar

    Udhaya Kumar11 日 前

    Ennada punda kena punda

  2. தமிழன் BOSS TECH SOLUTIONS

    தமிழன் BOSS TECH SOLUTIONS16 日 前

    நல்ல நகைச்சுவை ...

  3. Selvi P

    Selvi P17 日 前

    பாக்ய ரா ஜ்ஒருகலைபெக்கிஷம் அவர்பணிதொடரவேண்டும

  4. Venkatesh Babu

    Venkatesh Babu23 日 前

    Bhagyaraj sir oru legend avaroda padangal ipo parthalum pudikum

  5. sam Er

    sam Erヶ月 前

    I see u in every conversation u drink water n every conversation u have sugar u need to treet

  6. hashim zuvai

    hashim zuvaiヶ月 前

    யதார்த்த உரையாடல் பேரழகு

  7. LIFE CARE awareness

    LIFE CARE awarenessヶ月 前

    In Indian cenema institute.. Kamall hassan is one of the subject .....

  8. Lotus

    Lotus3 ヶ月 前

    கமலஹாசன் உலகநாயகனாக மிளிர்வதற்கு முதல் படத்திலேயே அடித்தளம் அமைத்த இந்த உதவி இயக்குனருக்கு வாழ்த்துக்கள்.

  9. Bharathi P

    Bharathi P3 ヶ月 前

    Bakiyaraj sir haha semma

  10. krish civil

    krish civil3 ヶ月 前

    Aandavar KAMAL

  11. Sudhar Son

    Sudhar Son4 ヶ月 前

    Ithu than KB's Ground Work

  12. Suresh Muthusamy

    Suresh Muthusamy4 ヶ月 前

    See how the reporters enjoying it

  13. Suresh Muthusamy

    Suresh Muthusamy4 ヶ月 前

    His legendary is intense intha interview fulla paatha tha pauriyum lone you sir

  14. Mahaboob John

    Mahaboob John5 ヶ月 前

    இந்தியாவின் மிக சிறந்த திரைக்கதாசிரியர்

  15. Nesa Mani

    Nesa Mani5 ヶ月 前

    Great my youth director great man

  16. GK VALLUVAN

    GK VALLUVAN5 ヶ月 前

    super speech sir

  17. Keerthi Priyan

    Keerthi Priyan5 ヶ月 前

    தலைப்பு ரஜனி கமல் பாரதிராஜாவை,,, கலைத்த ,,... அல்ல,,, கலாய்த்த,,,,. பாக்கியராஜ்,,, தலைப்பிலேயே. பிழை. வரலாமா?

  18. thiruvetti

    thiruvetti5 ヶ月 前

    Everybody thinks why Bharathiraja started flopping. It was because Bhagyaraj, Nivas and Ilayaraja left him. Bharathiraja is nothing without Bhagyaraj

  19. thiruvetti

    thiruvetti4 ヶ月 前

    @வாழ்க நலமுடன் ! Thats not right because Bhagyaraj wrote screenplay, dialogues and story for Bharathiraja. He literally changed the plot of few of his movies which would otherwise have been different stories. Parthiban never did such stuff of Bhagyaraj. So the difference in contribution is huge. Also after the 3 ppl left Bharathiraja, all his films flopped.

  20. வாழ்க நலமுடன் !

    வாழ்க நலமுடன் !4 ヶ月 前

    thiruvetti film making is a team work parthiban was assistant of bagyaraj but in the first film it self he got national award where bagyaraj could not will you say bagyaraj is nothing without parthiban?

  21. Revathy Arumugam

    Revathy Arumugam6 ヶ月 前

    Sir hates of you sir, how birllient mind and speech

  22. மகாகவி பாரதியார் பேரன் தமிழன்

    மகாகவி பாரதியார் பேரன் தமிழன்6 ヶ月 前

    😂😂😂👏👏👏👏

  23. lathika rajan

    lathika rajan6 ヶ月 前

    Pinnitaru..

  24. Bala Ji

    Bala Ji6 ヶ月 前

    How talented he is!!! Sema sir

  25. DR CHANDRU

    DR CHANDRU6 ヶ月 前

    அருமையான பல படங்களை கொடுத்த பாக்கியராஜ் கலையுலக பொக்கிஷம். அவா்இடத்தை நிறப்ப இன்று வரை யாரும் இல்லை

  26. surya surya

    surya surya6 ヶ月 前

    sama sir

  27. Krishna 1199 Krishna1199

    Krishna 1199 Krishna11996 ヶ月 前

    Very good acting sir

  28. Maduraisigns Maduraisigns

    Maduraisigns Maduraisigns6 ヶ月 前

    da atha enda epa solra

  29. Kalees Waran

    Kalees Waran3 ヶ月 前

    Poda punda

  30. Bhaskar R

    Bhaskar R7 ヶ月 前

    Hey loffer ur big criminal when u dont have movies u made ur dauther to act in movie and it was also a big flop ur that kind of cheap father. And ur son dont no to act also and dont no to play also wat kind of family u got man comedy pice . U dont talk about our thalivar fans will blast and change ur face shape . Keep it in mind ...

  31. SP Mobile

    SP Mobile7 ヶ月 前

    இவரது படங்களில் சிறிது ஆபாசம் இருந்தாலும் குடும்பமாக படம் பார்க்க முடிந்தது. அதற்கு காரணம் ஒவ்வொரு சீனுக்கும் சுவாரஸ்யமாக இருக்கும்

  32. Subramanian Suresh

    Subramanian Suresh8 ヶ月 前

    Nice casual speech by K.B sir..

  33. Siva Kumar Eddy

    Siva Kumar Eddy8 ヶ月 前

    Very talented...😊

  34. Arun Kumar

    Arun Kumar8 ヶ月 前

    Indho loosu erada kuptadhu..

  35. Kanthasamy Kajan

    Kanthasamy Kajan8 ヶ月 前

    Thalaipa mathjnga

  36. Vijaya Kumar

    Vijaya Kumar9 ヶ月 前

    K. Bhagyaraj; The reigning king in the world of Madras film Hollywood Bhagyaraj is the reigning king of Kodambakkam, the Madras film Hollywood. Writing, acting, directing, editing; no wonder Bhagyaraj is called a one-man film industry. The onscreen romance is called Munthane Mudichu. For those who don't think much of either drumsticks or village comedies or frigid schoolteachers, here are some statistics: made by AVM at a cost of Rs 30 lakh, it is expected to net Rs 4 crore, a new southern box-office record. It is the first film to run for 25 weeks in four Madras theatres and 10 other centres all over the south; the first Tamil film to celebrate its silver jubilee in Trivandrum. Its Hindi remake rights were sold for Rs 5 lakh, the highest ever paid for a remake. In short, Munthane Mudichuis a boisterous, rollicking hit. Superstar Status: There is only one property hotter than Munthane Mudichu and that is its hero, writer and director, the embarrassed husband struggling in the clutches of his eager wife. K. Bhagyaraj, eyes peering quizzically through spectacles, short and dark, is an unlikely hero and an unlikelier candidate for the golden touch. No appearance could be more misleading: at 31, a decade after he ran away from home to plough his own furrow in the brawling world of Madras films, and nine films in the can later, Bhagyaraj is the reigning king of Kodambakkam, the Madras film Hollywood. At a time when the video threat is looming larger than ever, when not even Amitabh Bachchan or Kamalahasan can guarantee box-office success, Bhagyaraj draws offers such as the Rs 30 lakh made by one of the biggest producers in the south; the highest before that was the Rs 15 lakh reportedly paid to N.T. Rama Rao for his Bobili Puli. At a time when a Rajnikant or a Kamalahasan film is taken by distributors for Rs 40 lakh, Bhagyaraj has sold his forthcoming Dhavani Kanavukal, his first as producer, for an incredible Rs 1.36 crore before he has even finalised the script or chosen the cast. Bhagyaraj does not command the overpowering presence of a Sivaji Ganesan or the thrilling bombast of a Rajnikant. At 5 ft 5 inches, he has to look up to some of his leading ladies. He is neither handsome nor strikingly ugly. He is, in fact, just like the millions of men who flock to the theatres - a typical south Indian, with typical south Indian chatter, his finger constantly squeezing the funny-bone of his audience. Rival Kamalahasan says: "Of all the actors working now, Bhagyaraj is the one who has the most instant rapport with the audience." Dasari Narayana Rao, one of the most successful directors in the south, adds: "A lot of people try to tell the truth and make it funny but no one else is so accurate and compassionate as Bhagyaraj. All fall before his humour." Professional Attitude: In tandem with the creator works an artist with an uncanny knack of knowing exactly what the audience wants, a relentless professional who works out every shot and practical joke of the film looking to the minutiae of entertainment with an eye that never seems to falter. Says AVM's Saravanan, the producer of Munthane Mudichu: "He took two months to write the script. He had everything planned out to the last-minute costume change." After the film was completed, reminisces Saravanan, Bhagyaraj locked himself with his editor and "with a staple gun and a pair of scissors he stitched all this material together". Writing, acting, directing, editing; no wonder Bhagyaraj is called a one-man film industry. Producer K. Balaji, who has been asking him for months to make a film for him, says: "Bhagyaraj is a gold-mine. He not only writes his own script but directs and acts in them making it very easy for the producers." However, the superstar knows how to pace himself. He does only one film at a time, and has only two releases a year. Producers currently waiting to sign him up have been told that the earliest free dates are in 1990. Bhagyaraj himself says he always pays special attention to the story and the treatment. Unless the script is not ready, he will not start shooting. The dialogues are always written on the sets and unfailingly flow with irresistible colloquial flavour. Bhagyaraj's mentor Bharatiraja observes: "His power of observation and his ability to recount what he sees with satirical wit have made him a box-office wizard." Bhagyaraj admits: "I learned the craft from Bharatiraja. It was he who taught me that great scripts don't drop out of the sky; you have to invent them." Bharatiraja and Bhagyaraj: the combination is famous as the one that took the south Indian film industry by the scruff of its neck and forced it to look at new ideas and new people. As director-cameraman Balu Mahendra puts it: "What Steven Spielberg and George Lucas did to Hollywood in the late '70s Bharatiraja and Bhagyaraj did to the Kodambakkam film industry during the same period - they changed movie making in the south." Many feel that the pair broke the myth that only goodlookers could become stars; they also taught the importance of a good script. In addition, they gave breaks to half-a-dozen new faces who later made it big - Bhagyaraj has acted with fresh heroines in each of his nine films. Bhagyaraj came to know Bharatiraja when he was wandering around Madras trying to get into films. The bug had gripped him much earlier: at home in Coimbatore he organised MGR fan clubs - "At the family table, while eating lunch or dinner, I used to say dialogues from MGR films" - and dreamed of Madras. His father was a small-time automotive parts dealer and his mother a conservative housewife who hated film talk. Successful Sequence: With two virtually unknown actors called Kamalahasan and Sridevi, Bharatiraja made 16 Vayathile later remade in Hindi as Solva Sawan. It was Bhagyaraj's first screenplay. He wrote the script for three more films by Bharatiraja, including the very successful Sigappu Rojakkal - Red Rose in the Hindi version - where he played his first role, a waiter who is strangled by a maniacal Kamalahasan. Says Bhagyaraj: "Since I was the assistant director I would always be there on the sets. So not to have any continuity problem I acted in small roles in Bharatiraja films." A few months later, the ordinary-looking college drop-out from Coimbatore was the hero in Puthiya Vaarpugal, with a new heroine called Rati Agnihotri. As Bharatiraja tells it: "I was looking for a new hero since Kamalahasan was too busy. Till the day before the shooting schedule, I did not find the right face. Next day I made my assistant Bhagyaraj the hero. The rest is history." Bhagyaraj directed his first film Chuvarillatha Chitrangal, a moderate hit. But it was his Mouna Geethangal - remade in Hindi as Ek Hi Bhool - that established his superstar status. From then on, every movie he made was a bigger hit than the last. Antha Ezhu Nalugal, for instance, was a super success and, inevitably, the Bombay industry copied it as Woh Saat Din. Munthane Mudichu is his ninth directorial venture in six years. This May, Bhagyaraj will direct his first Hindi film Masterji, a remake of Munthane Mudichu which will have Amitabh Bachchan in the title role. As Bhagyaraj says: "I look for characters, not stars, to fit into my script. And there is nothing more exciting than finding a new face who is exactly right for an important role." Expert Advice: The one great influence on Bhagyaraj's life and career has been MGR. In every Bhagyaraj film there is at least one reference or a picture of the chief minister. In Munthane Mudichu one scene picturised MGR's midday meal scheme. MGR is shown a preview of all his movies. Says Bhagyaraj: "MGR knows the psychology of the masses. I try to make use of certain techniques of his that have made him popular with the masses. It was MGR who insisted that I have fight scenes in my film. He said that the masses would understand only if the good guy bashes the bad guy in the last reel." In Darling, Darling, Darling MGR wanted a climax fight, which Bhagyaraj politely refused to incorporate; the result was that the film didn't do as well as the others. Now every Bhagyaraj film carries a stick fight, an inspiration from the early MGR films. And Bhagyaraj keeps physically fit, just like the legendary hero. But he does not intend to join MGR's party and in fact has no political ambitions. However, as a Tamil paper wrote in a significant comment: "Bhagyaraj has become MGR's propaganda machinery."

  37. Aneez Mohamed

    Aneez Mohamed9 ヶ月 前

    After this I am goin to watch vaan megangalae song

  38. nath giri

    nath giri9 ヶ月 前

    டோப்பா எங்க வாங்கின?

  39. SARAVANAN VELA

    SARAVANAN VELA9 ヶ月 前

    INTELEGENT PERSON K.BAKIARAJ

  40. Karthikeyan Mani

    Karthikeyan Mani9 ヶ月 前

    Bhagya sir i never miss ur speech in youtube, message with entertainment

  41. Sadick Ali

    Sadick Ali8 ヶ月 前

    இந்த மாதிரி டைரக்டர் இனி வர முடியாது

  42. r_ lamack

    r_ lamack9 ヶ月 前

    YAAN ITHAI IPPO SOLRINGA

  43. Mill Maroon

    Mill Maroon9 ヶ月 前

    Indha madri nalla kadhai screenplay dialogue ulla thirmai saaligal ippo illa 🙁 kadaisiyaga Sujatha avargalum illai ippodhu Good luck bagyraj sir

  44. Raj Kumar

    Raj Kumar5 ヶ月 前

    unne materi ale irunthaal illethaan. Bagiyaraj is best actor director writer.... and etc..

  45. Suresh Ram

    Suresh Ram9 ヶ月 前

    மிகச்சிறப்பு

  46. S Ravi

    S Ravi9 ヶ月 前

    வாழ்க மனித தெய்வம் ரஜினி அவர்கள். அடுத்த தமிழக முதல்வர் ரஜினி அவர்கள் தான்.

  47. Mani Vasagam

    Mani Vasagam2 ヶ月 前

    S Ravi முட்டாள் ஏன்டா உளருரீங்க

  48. kamala kannan

    kamala kannan9 ヶ月 前

    Super Bhagyaraj sir.

  49. Senthil Kumar

    Senthil Kumar9 ヶ月 前

    அருமையான வீடியோ தலைப்பு ரொம்ப நல்லா இல்ல

  50. Senthil Kumar

    Senthil Kumar9 ヶ月 前

    வீடியோக்கு தகுந்த தலைப்பை குடுங்க

  51. Innovator INDIA

    Innovator INDIA9 ヶ月 前

    Super sir

  52. Garudan tres-bien

    Garudan tres-bien9 ヶ月 前

    rajini cunt is a HYPOCRITE and a FAKE. his ACTING is DISGUSTING. he can't even ACT to Walk ( NADEKKU ) Proprely. How could he ACT as cm of TN. Wonder from Which DRAIN ( SAAKUDE ) he Picked his TITTLE "SOAP SUUTARU" he Should Be *SWEEPER STAR*

  53. Garudan tres-bien

    Garudan tres-bien9 ヶ月 前

    +Madhan Gunaseelan, there's Only ONE CUNT, that Is "rajiniCunt"

  54. Garudan tres-bien

    Garudan tres-bien9 ヶ月 前

    +Madhan Gunaseelan , there's only ONE CUNT. that IS rajiniCunt.

  55. Madhan Gunaseelan

    Madhan Gunaseelan9 ヶ月 前

    AND UR A FUCKIN DOG CUNT nd Fuckwit

  56. kumar k

    kumar k9 ヶ月 前

    Dai porambooku, what you know about super star. His hard work made him super star, He is not from rich family, his father is not director.. his effortless work made him to reach this level, kaaladhai ke thairiyamaa karpooram vasana....

  57. Senthil Ramasamy

    Senthil Ramasamy9 ヶ月 前

    U r jealous guy.

  58. Babi Selladurai

    Babi Selladurai9 ヶ月 前

    இப்படி எல்லாம்நடந்தது தெரியாது

  59. kushal kumar

    kushal kumar9 ヶ月 前

    பழைய பாக்யராஜ் ஆக மாறிய இன்றைய பாக்யராஜ் அவர்களின் வெளிப்படையான பேச்சு இன்றைய இளம் கலைஞர்களுக்கு புத்துணர்ச்சி. வாழ்க இயக்குனர் அவர்கள்.

  60. Chandran Lakshmi

    Chandran Lakshmi6 ヶ月 前

    kushal kumar .

  61. Dhivya Deenu

    Dhivya Deenu9 ヶ月 前

    super

  62. Sathesh Kumar

    Sathesh Kumar9 ヶ月 前

    My favourite director...